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Lot j (20) GAY PULP MAGNETS HIS69 Surrey House Paperback 1980s Vintage Beefcake Physique Muscle

Lot j (20) GAY PULP MAGNETS HIS69 Surrey House Paperback 1980s Vintage Beefcake Physique Muscle

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  • Lot j (20) GAY PULP MAGNETS HIS69 Surrey House Paperback 1980s Vintage Beefcake Physique Muscle
  • Lot j (20) GAY PULP MAGNETS HIS69 Surrey House Paperback 1980s Vintage Beefcake Physique Muscle
  • Lot j (20) GAY PULP MAGNETS HIS69 Surrey House Paperback 1980s Vintage Beefcake Physique Muscle
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This is a complete set of 20 magnets (or pins) featuring the covers of gay and erotic pulp paperback books from the MANHARD series featuring the drawings of muscular, masculine men with bulges in all the right places. They are 1-1/4" in diameter. (They can also be made as buttons / pins / pin-backs.) SURREY HOUSE / SURREE BOOKS published dozens of these verbiage-only novels in the 1960's, 1970's & early 1980's. They were usually pocket-sized about 6¾" - 7¾" tall & had illustrations of "Hot Beefy Hunks" and "Young Studs" on the cover.

Who needs boring refrigerator magnets when you can glance at these every time you reach for a beer or a glass of boxed wine. Dress up (or down) your office file cabinets, work bench, heavy duty lunch box, hot rod or anything metal with a little conversation starter?

A LITTLE HISTORY: Much of the cover art featured on gay pulp novels is amateurish and likely produced in rapid order, though notable covers are not uncommon with a number of illustrations clearly produced in the style of iconic gay illustrator TOM OF FINLAND. Other significant artists of the period include gay illustrators REX, CRAIG ESPOSITO, HARRY BUSH, ADAM and CARL CORLEY, along with remarkable mainstream illustrators ROBERT BONFILS, BILL ALEXANDER and GENE BILBREW.

Gay pulp paperbacks existed before the 1960s but their popularity and distribution was limited despite the explosion of the cheap format following World War II. While the lax stance on censorship due to the vast output by publishers and the perceived “low-brow” nature of the material allowed for some homosexual themes or subtexts, most such novels were rare, unlike lesbian novels which found mainstream appeal with both women and men. Earlier stories or novels on gay themes had to be dressed up in the trappings of respectability, typically with protagonist harboring bisexual conflicts that ended with them overcoming their “affliction” or succumbing to it with the resultant social and professional ruin or death.

As the popularity of the gay paperback increased in step with the decline in publisher’s concerns about prosecution, the subject matter began to expand. To stand out in the increasingly crowded market and to meet the varying tastes of their readership, publishers began adopting specialized genres such as BDSM, older and younger men together, interracial relationships, and roleplaying (bikers, sailors, soldiers, etc.). While explicit sexually remained the driving force in many of these stories, some began to take on additions dimensions with the emergence of genres such westerns, detective fiction, spy thrillers, war stories, and tales of prison and Richard Amory’s hugely popular and influential Loon Trilogy, set during the historical Old West and featuring Native American characters.

The 20 covers from the "Manhard" series are:

Peter's Pink by Jed Coxe
Do It Up Brown by Jay Michael
Double Truckin' by Edward Garbo
Ask Ol' Buddy by David Griffon
By the Balls by Dick Glanz
Butt Boy by Damon Martin
Cocke Balls by Damon Martin
Brown Eye Boy by Lowell Ray
The Reamer by Jeff Kincaid
Bottoms Up by Grant Fowler
Come Free by Tom Rogers
Tom Dickin' Harry by Bob Cochran
A Bit of Brown by K. K. Toomey
Rim Rider by Frank Howard
Pay as you come by Rich Cummings
Goldenrod by Junior Dixon
The Cop on 69th Street by Rick Phillips
Ride a hard cop by Jed Coxe
Snow-job by Bob Cochran
Long hard Buck by Damon Martin

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Last Updated: 13 Jun 2026 07:20:20 PDT
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